Beijing Shidu Tourism Classic Scenic Area Night Decoration Project Case
Beijing Shidu Tourism Classic Scenic Area at night is a marginal science project that intersects, penetrates, and integrates humanities, natural sciences, and engineering technology. It is a highly transboundary cultural project, economic project, and rich people project. He not only has many procedures, strong professionalism, and extensive coverage, but also has its own objective laws. To ensure the scientificity and feasibility of the planning, as well as the reliability of the technology and the rationality of the cost, it is necessary to establish a scientific and reasonable value evaluation and rigorous working procedures, and put forward clear and standardized design requirements for each procedure. Reasonable use of landscape art lighting techniques to shape the state of Shidu great beauty. I. Guiding ideology: In-depth exploration based on historical facts 1. Reorganize historical clues from ancient to modern times, and accurately trace people and context; 2. Reorganize and focus on the highlights of innovation to reconstruct the classic cultural sacred environment; 3. Stimulate the economic power of tourism and activate Cross the night economy. On the form level, the design objects are given explicit forms, such as shape, scale, color, texture, etc. On the image level, the structure is organized and symbolized to make the scenic area show the corresponding connotation and integrate the symbolic factors. In the image of the landscape, it gives the scenic area a deep cultural meaning and can have a deep-level emotional exchange with tourists. 2. Basic theory: Cultural ecology and the philosophy of harmony between man and nature 1. Cultural ecology-refers to a social branch of ecological theoretical research, cultural generation, and development laws that use the interaction of the entire natural and social environment of human existence Subject. 2. Follow the requirements of cultural ecology—regulate specific "green spaces", "green culture" and "green economy" with the achievements of green civilization, and build a large cultural ecological system. 3. Regain the traditional philosophical thought of "heaven and man unite", change to a simplified design route, and refuse to adopt the excessive packaging that advocates luxury and is noisy. III. Design Principles: Imperceptibly, moisturizing and silent 1. Surrounding the general theme of "Yanshan Night Painting", build a classic tourist area with rich connotation, clear theme, scientific, intellectual, ornamental, and interesting. 2. Imperceptibility-melt the elements of the scenic area, the continuity in the boundary, the fluidity in space, and the variability in time into the specific scenery and "forget two things." 3. No sound of moisturizing-natural materials, artificial materials, and event materials are transformed into "dizzy drizzle" and infinite reveries ... Fourth, the design method: organic connection, advancing with the times 1. Organic connection-the use of ergonomics, environmental psychology, environmental physics, cultural ecology theory and knowledge to understand the core value of classic scenic spots from the overall concept. In the creation of ideas, ideas, styles and atmosphere, we must focus on the organic integration of the overall characteristics and the functional characteristics of the tourist destination. 2. Keeping pace with the times-from the aspects of planning thinking, floor layout, spatial organization, and philosophical thinking, reflect the spirit of the times and aesthetic interests, and actively consider meeting the needs of contemporary social life and behavior patterns. V. Creative Techniques: Establishing the imagery, which means to be a leader. 1. Both the intention and the expression are equal, and the intention is to write first. First of all, we must have a more mature concept of the overall planning and design, and have good creative ideas. Second, it is necessary to have a good means of expression. The related drawings are complete, accurate and beautiful, and fully reflect the design connotation. 2. Focus on the big things and work on the details. Thorough consideration of the overall and details requires a global concept. The detailed design should start from the basic human scale, people flow direction, range of activities, facilities and equipment, and space use. From the inside to the outside, from the outside to the inside, the local and overall coordination and unification. Six, artistic lighting: clear vision, comfort, performance, symbolic 1. Use the expressive power of light to artistically recreate the night space in the scenic area. Deal with the "light" artistic effects of light and shape, light and space, light and color, light and material. Control indicators such as illuminance, light color, color rendering, three-dimensional effect, texture, flash, and glare. 2. The use of artistic lighting technology means: strong light, low light, astigmatism, whole light, emergence, false reality, dynamic and static and control the angle of light projection, establish the form of light contrast, order, rhythm and other forms to increase the changing effect of space. Graphic symbols: The visual, conceptual, multi-layered, and multi-consciousness visual form effect expression itself is expressed by a variety of physical combinations, and has a unique and wonderful composition to set off the corresponding environment. 1. Concise, bright and simple morphological effects, expressing normative, orderly, and balanced consciousness. 2. Simple, abstract and changeable morphological effects, expressing imagination, reality, movement, stillness and its multiple states. 3. The morphological effects of color, light, shadow, and texture, expressing ideas, logic, philosophy, and symbolic aesthetics. Eight, the use of color: strengthen the color effect, create a beautiful space 1. Analysis from the relationship characteristics and perception characteristics of color to determine the design plan. 2. Color must meet the functional requirements of space and create aesthetic appeal. 3. Light and color cannot be separated, and the lighting color environment must be harmonious and unified to create a dramatic effect. 4. The overall color style gives a unified and complete impression. 5. Consider the factors of light and environmental conditions, establish the color relationship, and achieve the best light environment color artistic effect.